Washington’s Monument

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Today is the 125th anniversary of the dedication (in 1885) of the Washington Monument. It was certainly a long time a-building, considering Pierre Charles L’Enfant had included a location for a monument to George Washington in his 1791 drawings for the new capital city. What L’Enfant had in mind, though, was an equestrian statue.

After Washington died in 1799, Congress thought a tomb might be a better plan—hey, how about right inside the Capitol? But his wife Martha wasn’t too happy with that idea. Progress stalled until the 1830s, when a group of impatient citizens raised funds themselves and held a competition for a monument design. The other entries were far more complicated: designs for monuments rich in Gothic windows, enlivened by multicolored stonework, festooned with all manner of carving and statuary. It makes me wonder how much the final choice was driven by budget. Even the award-winning design by Robert Mills originally had a colonnade at the base.

Construction began at last in 1848 and continued in fits and starts, slowed by the Civil War, lack of money, and anti-Catholic fervor (don’t ask). Congress occasionally offered funds. Reading American history I am struck by how reluctant the U.S. government used to be to spend money on much of anything, no matter the generally acknowledged need or value. When Congress finally decided to fund the rest, the monument went up quickly and immediately began to draw crowds. According to the National Park Service, it has over 800,000 visitors a year and is still the TALLEST STONE STRUCTURE in the WORLD. How about that.

You may be asking, “What the heck does this have to do with a picture of a Monument-Pen?” Well, uh… this image is the cover of a Literary Map of Washington DC commissioned by the Women’s National Book Association and featuring writers who have lived and worked here. For February 21st, I searched my work for a Monument image. And thereby hangs the tale. (Later this month I will post the illustrated map inside, so you can see what it looks like. It’s available at DC bookshops or through the WNBA.)

There is a celebration of the anniversary at 1pm today at the foot of the Monument.

Morning Has Broken

Today is the birthday of Eleanor Farjeon (1881-1965), born in London, England, into a rather bohemian musical, literary, theatrical family. The lucky girl. She was delicate, and so was homeschooled among shelves crammed full of books—fairy and folk tales, history and mythology. She began writing quite young and was encouraged (of course); in her teens she collaborated with her brothers on their theatre productions; by age 19 she sold her first fairy tale.

Farjeon went on to write a range of literature for children: stories, history verses, plays, and lots of poems, among them the one above written in 1931 to accompany an old Gaelic melody and later popularized by folk singer Cat Stevens and other musicians. Her work abounds in wit, unexpected turns of phrase and plot, magic, humor, and nonsense. She is probably best known for her collection The Little Bookroom and the Martin Pippin stories, but if you have a little girl who loves to jump rope and she has NOT read Elsie Piddock Skips in her Sleep, you must drop everything and run straight to the library together to check it out. (If it has not yet been pulled from the library shelf and sold on Amazon. See Each Day post 2/11/10.)

Japanese animation lovers, take note. The King’s Daughter Cries for the Moon, an Eleanor Farjeon story originally published in 1955, is presently being adapted for a Japanese/Korean animation feature, scheduled for release in spring 2011. Now wouldn’t that surprise Eleanor.

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A Long Winter

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Then you may get a sense of the resilience and inner resources of the family of Laura Ingalls Wilder (1867-1957), whose birthday it is today. Such was the winter they experienced in Dakota Territory during the winter of 1880-81.

Wilder, born in a log cabin in Wisconsin, is well-known from her “Little House” books depicting 19th-century pioneer life through the eyes of a growing child. They are unique in combining a finely observed and personal yet unsentimental window into iconic aspects of American history: travel by covered wagon, homesteading, Indian migration, education in a one-room schoolhouse—with fascinating homely detail: cheesemaking, house construction, sugaring off—and a glimpse into the inner life of a bright, curious, imaginative girl struggling to adapt to the circumstances of her time and place.

The family’s joys are simple, their sorrows formidable. Crop devastation, malaria, prairie fires, and a sister’s blindness are described; the death of a baby brother is left unrecorded, probably still too painful to include. The books are a quiet testament to stubborn faith, determination, love, and courage, virtues frequently lauded but less often demonstrated. A bouquet of wildflowers on a clean checkered tablecloth and a family hymn accompanied by the paternal fiddle are the stuff of a boundary between hope and despair.

Although she had written magazine articles and newspaper columns, Wilder didn’t publish her first book until 1931, when she was 64, after having been asked for years by her daughter Rose to put her childhood memories on paper. Since then her books have been published in 40 languages and have informed, inspired, and enchanted many millions of readers. Happy Birthday, Laura Ingalls Wilder! You certainly were (and remain) a shining light of my growing-up.

Rivers

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Today is the birthday of [James] Langston Hughes (1902-1967), born in Joplin, Missouri. After his parents’ divorce, Hughes spent his childhood with a number of relatives, including his grandmother, who was one of the first women to graduate from Oberlin College. She taught him Bible stories, hymns, and the history of African-American heroes, among them Hughes family members. We can here speculate that this probably had a long-term effect on a thoughtful child with an ear for language.

During his rather isolated early childhood, Hughes began writing his own stories and poems. Despite his father’s disapproval (his father wanted him to become an engineer), he persisted, developing a sensitive, passionate voice that was influenced by jazz, blues, and the speech and concerns of ordinary black Americans. Frustration led him to drop out of Columbia University and try something else. Before he achieved recognition for his writing, Hughes worked as a merchant seaman, busboy, cook, dishwasher, and Paris doorman(!). Wanderlust and perhaps a hopeful temperament made a traveler of him. Hughes said, “Most people are essentially good, in every race and in every country where I have been.”

In his life he spent time in Mexico, West Africa, Europe, and the Soviet Union, as well as all over the States, but of all places he loved Harlem best. His first (and prize-winning) book of poems was about Harlem life. He went on to write many books of poetry, novels, essays, short stories, song lyrics, and plays. In the 1930s his work was attacked by critics as disturbingly dark; by the 1960s it was attacked as insufficiently radical. This may be the inevitable fate of many a creative person who lives long enough to endure it.

“Boss” Shepherd

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Today is the birthday of Alexander Robey Shepherd (1835–1902). Do you know who that is? Well, if not, now you will. My daughter and I are finishing up a lesson block on Local History and Geography, which has ranged from visiting and mapping our little neighborhood creeks (to follow how they connect to the Potomac River and ultimately the Chesapeake Bay and the Atlantic) to learning about the prehistory and history of the bit of land upon which we now perch, grow strawberries, and walk the dog.

Among the colorful characters we have studied is the above-named Shepherd, nicknamed “Boss” Shepherd, who served on the Bureau of Public Works, and as governor, in the days when Washington, DC had governors. Shepherd was a powerful and controversial fellow who didn’t sit around waiting for something to be approved by some old committee or the U.S. Congress, and he took it upon himself to make huge improvements in the city’s infrastructure. He was also progressive for his day, promoting universal suffrage and school integration. Shepherd was eventually removed from office, and his statue was put in storage as an embarrassing reminder of the political corruption from which our fair city has henceforth been free… Anyway. Shepherd’s reputation has recently been rehabilitated and his statue is back in front of DC’s Wilson Building, where you can stand today and eat a cupcake in his honor.

It’s an Oldenburg

 

 

 

Today is the birthday of Claes Oldenburg (born 1929 in Stockholm, Sweden), whose sculptures depicting soft versions of normally solid objects (like bathtubs and violins) and gigantic versions of small household objects (like lipstick and ice cream cones) have been critically successful as well as extremely popular and are installed in public spaces around the world. Some, like his giant clothespin and typewriter eraser, have also with the passage of time become mementos of a dimly remembered disappearing technology. His works elevate the pedestrian to the extraordinary and are lots of fun besides. Here’s wishing him a great big slice of birthday cake.

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Man of Many Words

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Today is the birthday of Peter Mark Roget (1779-1869), scientific writer, lecturer, and author of the Thesaurus, a project that he did not even begin to pursue seriously until his 70s. That ought to encourage the rest of us slowpokes. Roget was a lifelong and compulsive list-maker, a practice that apparently comforted him and helped sustain him through the terrible depressions that plagued him and his extended family, although he suffered tragedy enough throughout his life to justify serious despair. I love my Thesaurus and was inspired by this birthday to get on the library waiting list (speaking of lists) for a recent biography of Roget, Joshua Kendall’s The Man Who Made Lists. Among Roget’s many other admirers is J.M. Barrie:

“The night nursery of the Darling family, which is the scene of our opening Act, is at the top of a rather depressed street in Bloomsbury. We have a right to place it where we will, and the reason Bloomsbury is chosen is that Mr. Roget once lived there. So did we in days when his Thesaurus was our only companion in London; and we whom he has helped to wend our way through life have always wanted to pay him a little compliment. The Darlings therefore lived in Bloomsbury.” —Introduction to Act I of Peter Pan

Natsukashii: A Japanese word used to express the feeling described above. It is not yet in the Thesaurus.

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