Below is a link for a set of two calendars, made for those who asked about obtaining one of each, the “grown-up” still-life calendar, and the “children’s” Little Pudding calendar. However, several actual grown-ups have expressed a desire to live in Little Pudding. It’s probably a post-election wish for an environment of diverse creatures who live in relative harmony without eating each other.
Set of two calendars, $38
This year I’ve created a second, entirely different calendar in addition to the more “grown-up” still-life calendar. It features the inhabitants of the village of Little Pudding, about whom I’ve been inventing stories since my daughter was in kindergarten.
Unless you prefer to be surprised, you can scroll down to see the twelve scenes of village life featured within. (Click twice to see the image larger.) The calendar is 8-1/2” x 11” and printed on sturdy satin stock, substantial enough so the images can be saved as prints.
A single calendar is $20; a set of two is $36. Shipping is 3-day Priority Mail, domestic US.
If you are in my area, you can obtain a calendar from me directly without shipping—just let me know.
Set of two calendars:
For those who do not want to be surprised on the first of each month, here are the twelve paintings featured on the 2017 calendar shown in my post yesterday.
John Fitzgerald Kennedy
Although it’s still summer, the first of September feels like a turning of the year, a return to school and schedules, and a farewell to cicadas and the least possible clothing. In parting I celebrate the day with a watercolor of Duck, NC, where the family just spent an idyllic week, and, attesting to the season’s ambivalence, a poem by A.E. Housman.
XXXIX (from Last Poems)
When summer’s end is nighing
And skies at evening cloud,
I muse on change and fortune
And all the feats I vowed
When I was young and proud.
The weathercock at sunset
Would lose the slanted ray,
And I would climb the beacon
That looked to Wales away
And saw the last of day.
From hill and cloud and heaven
The hues of evening died;
Night welled through lane and hollow
And hushed the countryside,
But I had youth and pride.
And I with earth and nightfall
In converse high would stand,
Late, till the west was ashen
And darkness hard at hand,
And the eye lost the land.
The year might age, and cloudy
The lessening day might close,
But air of other summers
Breathed from beyond the snows,
And I had hope of those.
They came and were and are not
And come no more anew;
And all the years and seasons
That ever can ensue
Must now be worse and few.
So here’s an end of roaming
On eves when autumn nighs:
The ear too fondly listens
For summer’s parting sighs,
And then the heart replies.
Starry skies, sunrise, and sea maidens.
Creatures of air, land and sea; and a search for gifts.
Watermelons and wild waves.
A poem by Jack Peachum in celebration of a summer classic. Better stock up, as we head further into this election season. Here’s a recipe from Epicurious that includes as an ingredient a homemade mint syrup which can be used in other drinks as well.
But, surely, the tree in Eden was a giant mint plant,
promising knowledge profane and sacred,
the doorways of Eternity opening—
summer air pushes heavy around the house,
ice clicks in the teeth,
the mixture’s smell invites you in
to where the mint lies on the tongue.
And in the distance,
bourbon-taste and sugar against the palette
sweet as remembered Sunday mornings.
— Jack Peachum
Don your leafy crown and pagan garb and prepare to dance ’round the bonfire, for (in the Northern Hemisphere) ’tis the Summer Solstice, the longest day of the year, a time to celebrate our warming sun, our greening earth, and fertility in all its forms. And this shortest night is graced by a full moon, an unusual conjunction of events. Reason enough for dancing!
It’s the first of September, which signals, along with the late afternoon singing of cicadas, that, alas, the end of summer draws near. Here are a painting, and a rather melancholy poem, for the day. (There is a cartoon in my sketchbook to accompany the creation of this painting, which I will post eventually.)
Fair Summer Droops
Fair summer droops, droop men and beasts therefore,
So fair a summer look for nevermore:
All good things vanish less than in a day,
Peace, plenty, pleasure, suddenly decay.
Go not yet away, bright soul of the sad year,
The earth is hell when thou leav’st to appear.
What, shall those flowers that decked thy garland erst,
Upon thy grave be wastefully dispersed?
O trees, consume your sap in sorrow’s source,
Streams, turn to tears your tributary course.
Go not yet hence, bright soul of the sad year,
The earth is hell when thou leav’st to appear.
—Thomas Nashe, from Summer’s Last Will and Testament