Water

From my sketchbook, the fountain in the courtyard of the Freer Gallery of Art, a quiet place to sit and meditate (and wish you were in that pool). And a verse for Sunday.

FreerFountain

If I were called in
To construct a religion
I should make use of water.
Going to church
Would entail a fording
To dry, different clothes;
My liturgy would employ
Images of sousing,
A furious devout drench,
And I should raise in the east
A glass of water
Where any-angled light
Would congregate endlessly.

— Philip Larkin


Tree of Life

I have ambivalent feelings about this tree. On the one hand, I never park under it, for fear that I would return to find my car crushed. On the other hand, it is the most powerful and heart-lifting tree in our neighborhood, with its fantastically sculpted trunk and enormous, light-filled crown, simultaneously shimmering and shady, undoubtedly home to innumerable beetles, birds, and squirrels.

After a recent summer thunderstorm, I went to check it out. There it stood, serene as ever, despite its permanent streetward slant. It’s a variety of maple (to find out what kind we’ll have to check Melanie Choukas-Bradley’s wonderful City of Trees), although it has the ancient, stalwart feel of an oak, as if it arose here here long before any of our houses.

Below, a tree poem for Sunday.

GiantMaple

A Final Affection

I love the accomplishments of trees,
How they try to restrain great storms
And pacify the very worms that eat them.
Even their deaths seem to be considered.
I fear for trees, loving them so much.
I am nervous about each scar on bark,
Each leaf that browns. I want to
Lie in their crotches and sigh,
Whisper of sun and rains to come.
Sometimes on summer evenings I step
Out of my house to look at trees
Propping darkness up to the silence.
When I die I want to slant up
Through those trunks so slowly
I will see each rib of bark, each whorl;
Up through the canopy, the subtle veins
And lobes touching me with final affection;
Then to hover above and look down
One last time on the rich upliftings,
The circle that loves the sun and moon,
To see at last what held the darkness up.

—Paul Zimmer

CakeChocCurls2Francine


Sea-washed gates

Not like the brazen giant of Greek fame,
With conquering limbs astride from land to land;
Here at our sea-washed, sunset gates shall stand
A mighty woman with a torch, whose flame
Is the imprisoned lightning, and her name
Mother of Exiles. From her beacon-hand
Glows world-wide welcome; her mild eyes command
The air-bridged harbor that twin cities frame.
“Keep ancient lands, your storied pomp!” cries she
With silent lips. “Give me your tired, your poor,
Your huddled masses yearning to breathe free,
The wretched refuse of your teeming shore.
Send these, the homeless, tempest-tost to me,
I lift my lamp beside the golden door!”

—Emma Lazarus

In celebration of the birthday of Emma Lazarus (1849-1887) today, I post what is probably her most famous poem, written to help raise funds for the installation of the Statue of Liberty, and which now graces that monument. I had hoped to write a bio as part of the post, but today’s schedule does not allow it, so the bio will have to wait. Please check back in 2011. In the meantime I pair the poem with this watercolor of a tempest-tost morning.

Stormy

Rain or Shine?

SwithinFlip2

Look out the window. Doth it rain today, or doth it shine? Prepare yourself. Today is the feast day of St. Swithin, and for the next forty days you can plan your activities and wardrobe according to the old verse.

Swithin was born in the 9th century—the precise year is unknown—in Winchester, England, during the reign of King Egbert of Wessex, who ruled from 802 to 839. There are but a few reliable facts of his life, drawn from church records. Nevertheless, there must have been something about the fellow, for, both during his life and afterward, he inspired numerous stories and customs that have endured for the last twelve centuries.

Swithin was ordained as a monk and gained such a favorable reputation that he was selected as a tutor to Egbert’s son Aethelwulf. When Aethelwulf himself became king, he appointed his former tutor as bishop of Winchester, where for the next ten years Swithin built numerous churches as well as the town’s first stone bridge. Nevertheless he apparently remained a modest, unassuming fellow, charitable and sensible, preferring to go about on foot, avoiding ostentation. He also managed to convince Aethelwulf to donate a tenth of his own lands to pay for some of the church-building. Swithin’s dying request was to be buried not indoors within an elaborate shrine, as was customary with prominent folk, but outside in a simple churchyard grave, where “the rain may fall upon me, and the footsteps of passers-by.” When he died in 862, his request was granted…for a while.

But a hundred years later, when the bishops of Canterbury and Winchester were renovating the church and undertaking reforms, they cast about for relics of a saintly candidate to inspire their parishioners. Swithin had the fortune, or misfortune, to be associated with numerous miracles both before and after his death, among them the healing of ailments of the eyes and the spine, and the kindly repair of an elderly woman’s broken eggs so that they were good as new, a miracle that would certainly come in handy in any household. What luck to find a local guy that no one had yet claimed! The two bishops decided to elevate unpresumptuous St. Swithin to more prominent status. What better way than to remove his body from its humble grassy setting and place it in a more visible shrine within the newly renovated church?

Well, as the story goes, when they set about digging up Swithin, the sky clouded over, and a heavy rain began that continued for the aforementioned forty days. This would certainly indicate heavenly displeasure, if one were inclined to interpret such signs. But it did not deter the church authorities, who persisted in their plan and not only dug up St. Swithin’s body but sent his head to Canterbury Cathedral and his arm to Peterborough Abbey, rather than selfishly keep the entire saint in Winchester. They also rededicated the church (formerly dedicated to St. Peter and St. Paul). At some point along the way Swithin acquired the title of “Saint,” although he was never formally canonized by the church. He is what is known as a “home-made saint,” and churches all over the British Isles are named after him.

However, despite—or perhaps because of—all this unsolicited attention, St. Swithin still has his say every July 15th, determining the weather for the following month or so. According to a study conducted in Great Britain in the last decades of the 20th century, around mid-July the weather tends to settle into a pattern that lasts until late August, and this is true for about seven out of ten years. It either has something to do with the jet stream, or with Swithin’s periodic annoyance at being kept indoors. When it rains in August, the saying goes, “St. Swithin is christening the apples.”

Apple tree

For Botany today we wander the apple orchard, examining the branches with their swelling fruit; then we sit beneath one of the trees and draw. Flies buzz overhead, birds sing in the woods nearby, and the dog stretches out on the grass for a rest. That’s what I call Natural Science.

AppleTree

Behold the apples’ rounded worlds:
juice-green of July rain,
the black polestar of flowers, the rind
mapped with its crimson stain.

The russet, crab and cottage red
burn to the sun’s hot brass,
then drop like sweat from every branch
and bubble in the grass.

They lie as wanton as they fall,
and where they fall and break,
the stallion clamps his crunching jaws,
the starling stabs his beak.

In each plump gourd the cidery bite
of boys’ teeth tears the skin;
the waltzing wasp consumes his share,
the bent worm enters in.

I, with as easy hunger, take
entire my season’s dole;
welcome the ripe, the sweet, the sour,
the hollow and the whole.

—Laurie Lee

CakeYellowRoses2Grandma Clarke

Leisure

CowsVermont3

Here are cows I sketched on an early morning walk. The lovely and generous cow works hard all the time, transforming grass into milk, butter, and ice cream. Yet she always looks like she’s on vacation.

Whenever I encounter this poem, I receive it as a gentle reminder of the value of cow-ness. I post it here in honor of its author, William Henry Davies (1871-1940), whose birthday it is today.

What is this life if, full of care,
We have no time to stand and stare.
No time to stand beneath the boughs
And stare as long as sheep or cows.
No time to see, when woods we pass,
Where squirrels hide their nuts in grass.
No time to see, in broad daylight,
Streams full of stars, like skies at night.
No time to turn at Beauty’s glance,
And watch her feet, how they can dance.
No time to wait till her mouth can
Enrich that smile her eyes began.
A poor life this is if, full of care,
We have no time to stand and stare.

—William Henry Davies